知名舞台剧女演员牧树里这日收到怪盗基德的预告信：在26个字母的盘旋飞舞中，他来拜领无价的“命运的宝石”。毛利小五郎受到牧树里委托将信件分析，认为基德将在演出最后一晚前来盗取宝石，当晚他及柯南、小兰等人来到剧场，那里早有诸多警察守候。令柯南吃惊的是，基德竟扮成工藤新一出现在众人面前，但他及众人方向不同的紧张过后，宝石并没被盗，柯南醒悟字母预告信与航班相关。而柯南、小兰、牧树里及其同事搭乘的前往北海道的飞机上，尚有一起杀人计划正被精心设计。

A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract. 　　"Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006] 　　J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival. 　　2013 Julia (doc) 　　2011 House of Shame: Chantal All Night Long (doc) 　　1988 Frühstück Für Feinde 　　1984/85 Die Splitter Der Eisbombe 　　1983 Die Mission - Film vom Frieden und seinem Krieg

生活在百忙之中的女强人艾芙琳，丧夫后顿时失依靠，又得知自己罹患绝症，伤心之余，决定好好享受剩余时光，于是，她来到墨西哥渡假，却遇上老来春的洛依德，由于洛生性幽默，与其相处期间糗事一箩筐，给她带来新的转机。

寻人密探组是非常引人入胜的情节系列剧，该剧讲述的是关于美国联邦调查局失踪人口小组的故事。这个特别小组的唯一任务就是通过应用心理分析技术来抽丝剥茧受害者的生活，并试图发现他们在哪被绑架、被谋杀、自杀或逃...

医疗资源有限的乔治亚乡村，单身寡言的妇产科医生，把全副身心奉献给工作。看诊接生无数之余，还违反规定，私下协助无助女性堕胎，为这些家暴、性侵与荒谬观念的受害者，保有一丝身体自主权。然而一次手术意外，却让她遭到家属痛责，并得接受调查，不只职涯陷入危机，长年信念也开始动摇。气候多变的高加索山脚下，四月是春暖花开时，也是骤雨狂雷天，在她专业拘谨的外表下，同样刮着不平静的风暴。

Wray Nerely is a struggling actor who starred as a spaceship pilot on Spectrum, a cult classic scien...

生活在百忙之中的女强人艾芙琳，丧夫后顿时失依靠，又得知自己罹患绝症，伤心之余，决定好好享受剩余时光，于是，她来到墨西哥渡假，却遇上老来春的洛依德，由于洛生性幽默，与其相处期间糗事一箩筐，给她带来新的转机。

1968年6月，也许是埃尔维斯·普雷斯利传奇职业生涯中最重要的转折点。他在50年代中期一鸣惊人成为超级巨星，之后于1958年3月开始在美国陆军服役两年，并于1960年回归。然而，当时美国正处于正处于巨变的边缘。在这十年期间，政治、流行文化和音乐都发生了翻天覆地的变化。但埃尔维斯并没有成为公众讨论的中心，反而被边缘化了。在经纪人汤姆·帕克上校的执意安排下，埃尔维斯忙于拍摄越来越单调的好莱坞电影。到1968年，他已经有七年没有在观众面前表演了。此时，埃尔维斯在流行音乐中的霸主地位已被取代。滚石乐队、披头士、摩城唱片、亨德里克斯以及其他一大批榜单顶尖艺人使埃尔维斯在音乐界几乎被遗忘。于是，在1968年那个夏天，埃尔维斯没有听从帕克上校的建议去录制一场适合阖家观看的圣诞节目，而是坚持回归他的摇滚根源，举办了一场现场表演，重温过去的经典，并为未来的雄心勃勃的计划铺路。后来，这个节目被称为“埃尔维斯·普雷斯利复出特辑”，被认为是他职业生涯中最精彩的时刻之一。通过深入的采访，首次公开埃尔维斯和帕克上校的个人档案，以及罕见的68年特辑和排练的录像，我们将重温埃尔维斯职业生涯中的这一关键时刻，并通过美国最具代表性的文化偶像之一的视角审视20世纪60年代的狂热和混乱。

改编自同名网络漫画的《善意的竞争》是一部悬疑心理惊悚片GL(GirlLove)作品，讲述了曾是高考出题委员的爸爸突然去世后，转学到首尔名牌女高中的涩琪与全校第一名也是实权人物Jay成为朋友，但越接近Jay，她的内心和死亡秘密就越来越暴露。

一群外来者在曾经繁荣的铁锈地带小镇因对汽车的共同热爱而结下了不可思议的友谊。

萧萧的爸爸萧永成是一名收暖气费的工人，本性很好，只不过迷上了赌球。有一次，他报案说丢了20万元暖气费（其实是他自己赌球挪用了）。民警何天看出了破绽，试问了他几句，萧永成看自己瞒不下去，随手抄起一把斧子，砍向何天，想借此逃跑。没想到何天一躲，却砍中了自己女儿萧萧的右臂。看见萧萧受了重伤，右臂失去知觉，民警何天心里非常难过，觉得自己应该对萧萧负责，于是非常关心萧萧，就像对自己亲生女儿一样，萧萧也把他当作亲人看待。在一次“入室抢劫案”中，何天遇见了倒霉、漂亮的林满。林满刚刚与男朋友杨毅道分手，自己出来租房，没想到遇到骗子，是好心的何天多次帮助林满，林满对何天有些好感。萧萧的爸爸一直在逃，萧萧的妈妈为了支撑这个家，独自开着一个小卖部，没有时间照顾萧萧。何天无意中听见了萧萧的生日，就带她去吃匹萨、买生日礼物。林满为了感谢何天，请何天和萧萧吃了这顿饭。萧萧知道何天、林满对她好，但不想让爸爸被何天抓走，内心很矛盾。自己偷偷和爸爸见面，却对何天隐瞒事实，心里很过意不去。何天既关心萧萧的生活，又想通过萧萧知道她爸爸的消息，心里同样很矛盾。何天、林满、萧妈带萧萧去医院复查右臂，医院让萧萧尽快做手术，不然手臂就永远不会动了。可是手术费加上后期康复的费用非常庞大，要15万之多，而爸爸挪用的20万也得由萧萧一家来还。本来家里就靠萧萧妈一个人开小卖铺挣钱过日子，收入低廉，根本就没钱做手术。林满、何天想方设法的帮助萧萧筹来了不少钱，妈妈和萧萧很感动，从小和爸爸特亲的萧萧不舍得爸爸被抓走，哭着说：‘何叔叔，你别抓我爸爸，我不治病了。我帮妈妈挣钱把爸爸的账还清，这样他就能回家了。’何天告诉萧萧，根据法律，她的爸爸必须归案，这是无法更改的事实。于是妈妈把萧萧告诉她的她爸爸的地址转告给了何天，何天知道了萧萧的爸爸正在河北打工，前往河北，抓住了萧永成。经过他们的帮助，萧萧的手终于治好了。何天、林满的感情也越来越深。然而事有凑巧，何天的前妻突然回来了，由于误会，林满吃醋和杨毅道走了，从此杳无音讯。在几个月后，林满在路上又遭抢劫，遇到了何天。何天向林满告白，他们俩终于打破所有的误会，决定交往。