丐姐蓝仁叵在跑商时，突然遇到了对她纠缠不休的离经花花沈繁。二人的相遇从而碰撞出了别样的火花，轻松而愉快的日常生活便围绕着二人就此展开。

幕末时代的长州藩为舞台。天下名门萩明倫馆的学生·石垣直角，和直角的家人、朋友之间展开的痛快古装喜剧

本美术片为木偶片。爱说大话的宋武小朋友和妹妹一起看电视时，见电视机里又再讲老掉牙的武松打虎的故事，便颇不以为然地吹牛，“这算啥，要是我是武松，也能打死老虎。”话音刚落，他果然由“宋武”变成了“武松”。在景阳岗下的酒店，“武松”被店小二热情招待，可是他哪里喝得下几大碗“三碗不过岗”呀，好在他比较聪明，蒙混过关。上了景阳岗，“武松”对着美景倒头就睡，梦醒时分立刻被吓坏：他面前站着一只好大的老虎。但是很奇怪，这只老虎不但对他的底细知道得一清二楚，也并不打算伤害他，相反和他一起玩起了游戏。

故事用视觉化的方式揭露了李小龙的人生，他巨大的影响力，以及在他32岁猝然离开人间之后，于艺术与娱乐界不断扩张的影响力。纪录片采访了李小龙许多亲密的朋友与仰慕者，包括篮球明星科比·布莱恩特、演员米基·洛克、拳击手MannyPacquiao、乐队黑眼豆豆，这些采访与档案资料、珍贵照片与老胶片，绘制出一幅你从未见过的李小龙的肖像。

市郊程南村老支书临终前将村一把手的位子“传”给了张明亮。按张明亮现如今手中掌管的实业，他并不想出任这个村支书，但一想到自己从小失去双亲，是老支书和全村人供自己上学、送自己当兵、推荐和介绍自己入党，张明亮就拗不过答应下来。面对眼看就要被城市包围的村子，和两千多村民中赌博、盗窃、越级上访成风的现实，张明亮深感责任重大。比处理赌博、盗窃、越级上访更重要的，是市里决定征用村东一片麦地，开发市直机关干部住宅小区。用自己黄金地段的十个摊位作代价，为村民开发出一个小精品市场，安置全村闲散人员后，张明亮开始着手跟中标的宏泰地产公司高总经理谈地价。张明亮有个特点，表面上看胡搅蛮缠，没个正形，但只要涉及到村民的利益，张明亮是寸步不让。用张明亮自己的话说：“咱老张是谁！”。正因为有“咱老张是谁！”这句口头禅，张明亮在高总经理做东、市政府庞秘书长牵头、镇党委赵书记、宏泰公司郑董事长出席的高级酒宴上，用借酒壮胆的方式，换回了绝大部分补偿款。但为了维护村民的所有利益不受损害，张明亮顶着压力，坚持全款到帐才允许开工。本着“将宏泰公司往死里表扬的原则”，张明亮发动村委会成员，通过报刊和电视媒体，对宏泰公司进行铺天盖地的宣传和表扬，终于换得了全款到帐。维护村民的利益，张明亮不仅仅局限在为村民争取全额经济补偿上。为了解决失地村民今后的发展，张明亮抓住市十大工程之一的迎宾大道紧贴村南通过的机遇，启动村提留款两千万，拿出十亩土地，规划建设全市最大的休闲假日广场。张明亮的创意得到了市领导和村民的拥护，但随之而来的拆迁却成了一个摆在张明亮面前的大问题。迎宾大道规划用地里，有着村里不少村民的自办工厂。为了顺利拆迁，张明亮决定从大姨的养鸡场开始。为此，张明亮借故安排大姨、媳妇、小舅子外出旅游，趁机拆除养鸡场，为拆除“钉子户”二大叔的木材加工厂做了铺垫。休闲假日广场奠基仪式上，张明亮计划用五年的时间，把程南村建设成全市样板社区的远景发展规划，让村民欢欣鼓舞。面对市领导的充分肯定和大力支持，张明亮还是那句话：“咱老张是谁！”。老支书突然离世，村青年永刚被抓，村民老贵生活在危难之中，各家财物接连被盗，增子在家中聚赌——与此同时，全村的土地即将被政府征用，数千村民将失去世世代代赖以生存的土地。程南村，华北平原一个普通的村落，一个即将被城市吞没的贫穷落后的村庄，贮立在一座古老城市的边缘，等待着一场狂风急雨的荡涤。失去土地之后的农民应该怎么生活？——这个牵动着党中央国务院的社会课题摆在复员军人张明亮面前。当麦苗泛黄时，夏天如期而至，风雨如期而至……“咱老张是谁”，每当张明亮说出这句话，就意味着一个人被他拿下，一件事被他摆平，或者是一个阴谋或阳谋被被他执行完毕，地产商高总、乡党委赵书记、派出所刘所长、市政府庞秘书长饱受其苦，嘻笑怒骂之间，死皮赖脸之后，谈笑风生之中，张明亮以他特有的非正规动作带领程南村走进一片和谐的风景中。这个取自真实事件的故事将给人们带来不同一般的感受，在欢乐中哭泣

ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.

剧中既展现况钟“铁面无私”的刚正，又通过立体化塑造丰富人物层次：他乔装测字先生智擒真凶娄阿鼠，为无辜者昭雪；与贪腐势力斗智斗勇，追回赈灾赃款、整顿吏治……这些情节不仅还原了历史人物的智慧与胆识，更传递了“在复杂人情中坚守本心、维护公理”的现代理念。通过“以小切口呈现大主题”，该剧让清廉品格跨越时空，成为连接历史与当下的精神纽带。

现代考古学者白牧礼（李明轩饰）研究西域古铃铛意外穿越，邂逅逃婚的西域公主阿依慕（路一萍饰），白牧礼和阿依慕一路联手与阿依慕的联姻对象莎车国王子沙耶斗智斗勇，经历种种磨难后阿依慕破除恶人阴谋化解了国家危机。

民国年间的天海市，催眠师云集的图腾馆，天赋异禀的催眠师孔目被陷害，背上了欺师灭祖的罪名，遭到大师兄孟海的追杀，万般无奈之下孔目泪别未婚妻夏曳，用自我催眠制造假死，躲过追杀。不想天海市接二连三发生诡异凶...

暂无剧情简介

由于学校员工的薪水被盗，一位勉为其难的新老师开始着手追回这笔钱，却很快发现了教书的乐趣。